Monday, January 22, 2018

Beyond Reality Radio Interview

Hello and welcome to my blog on Harmonic Wars!

Harmonic Wars is a SciFi series that could be considered historical SciFi. I use facts surrounding numerous ancient sites to create a futuristic tale that connects our distant past with the near future. Some of the focal points included are the Great Pyramid of Giza, Stonehenge, Gobekli Tepe, Puma Punku, Machu Picchu, the Hopi Mesa settlements, Cahokia Mounds, and Track Rock Ruins to name a few. The premise for Harmonic Wars is that this is not Biblical Earth, but a colony that was settled by humans thousands of years ago. Due to a terrible war that was fought to a standstill, the remaining civilization became fragmented and reverted to a pre-industrial society, ultimately forgetting their origins.

Tonight we will discuss the Great Pyramid of Giza, cymatic experiments, standardized tuning (A440 Hz vs. A432 Hz), and how all this influenced me while writing Harmonic Wars.

Figure One

Figure one is a cutaway visual that Christopher Dunn uses in his book "The Giza Powerplant" published Aug 1, 1998. In this book, he outlines the possibilities of what the inner passages could have been used for. In this case, he states it could have been a microwave generator. I admire him and his thoughts on this pyramid because he acknowledges that what we see of the Great Pyramid are the skeletal remains of a great machine that operated many thousands of years ago. One thing is certain: it was never a tomb for any pharaoh. In ancient Egypt, the pharaohs were considered gods. In the Valley of Kings, we have found many burial tombs of several pharaohs, and each one is opulently decorated. Every inch is richly decorated with reliefs, paintings, etc. But not one religious writing or painting ever existed inside the pyramids, nor were any mummies found.

Figure two courtesy
Recently a new chamber was discovered above the Grand Gallery by tracking cosmic rays (muons). It is nearly as large as the Grand Gallery at 98 feet in length. A second smaller chamber or void was located above the entrance. Plans are being made now for a mission to discover these chambers if the Ministry of Antiquities will give the scientists permission.

What are cymatic experiments? Cymatics is the study of how sound impacts matter. Generally, researchers use a tone generator under a plate of sheet metal or other thin membrane and place salt or sand on top of the plate. As the frequencies are increased, the salt takes different shapes, becoming more complex at the higher frequencies. If you searched the internet for examples of cymatic experiments, you would see videos like this:

Q: How does A440 tuning fit in with all this?
A: Nikola Tesla said: “If you want to find the secrets of the universe, think in terms of energy, frequency, and vibration.” He also said, “If you only knew the magnificence of the 3, 6, and 9 then you would have a key to the universe.” The term 440 Hz means that there are 440 waves per second, meaning that your eardrum will vibrate 440 times per second so that you can hear that particular sound. The higher the pitch, the greater the number of hertz or beats/waves per second. In our musical history, a variety of concert pitches were used to include 415, 428, 430, 435, and 466.

432 Hz resonates with the fundamental heartbeat of the Earth, around 8hz, which is caused by lightning discharges in the atmosphere, This is known as Schumann resonance and is named after German physicist Winfried Otto Schumann, who documented it mathematically in 1952. 432 Hz is the harmonic intonation of nature. But A440 is “Disharmonic” to nature. Beginning at 8 Hz and going up the scale 5 octaves you will reach C at 256Hz, and the scale includes a frequency of A432 Hz. Conversely, beginning at A440 the same C note is fragmented at 261.656Hz.

The sound is also much different. Songs tuned to A432 Hz have a more melodious and warm sound, whereas at A440 they become harsh, almost tense. The American Standards Association adopted A440 in 1936, and most America music had adopted the tuning as early as 1926. After WWII, the European markets were flooded with American musical instruments designed to A440.

Another country pushing this thought it was paramount that all countries migrated to A440 for Europe. A delegate was sent to persuade the British Institute of Standards who successfully got an agreement to start the migration in 1939. He was from Germany, and his name was the Nazi Minister of Propaganda Joseph Goebbels. Conspiracy theory has it that this ushered in the beginning of the New World Order, as A440 tuning is inherently out of sync with the “divine music of the universe.” It causes tension, while A432 Hz promotes harmony. I don’t like most conspiracy theories, but just the fact that the Nazi’s wanted to do this is enough for me to question the purpose of A440 tuning.

Illuminati conspiracy theorists will love this: There is additional evidence that Rockefeller had an impact on the move to A440 in America, while Rothschild did in GB.

Figure three
Do the Cymatic experiments show any differences between A440 and A432?  YES! Watch this video:

Notice how the majority of the sounds at A432 are better formed than at A440. Going through the countless examples gave me a headache. There are thousands of videos with examples. Figure three details the different frequencies when tuning a guitar.

For a side by side comparison, you can check out YouTube

Tonight, we are running a special book bundle on Harmonic Wars. You can get book one "Guardians of the Crystal Skulls" and the newly published book two "Children of the Guardians" for $8 off the regular price. Just go to and order your copies now. This is a limited offer. 

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