Friday, September 30, 2016

Going back to Midnight in the Desert!

On Monday, Oct 3, 2016, I was scheduled to be Heather Wade's guest on Midnight in the Desert. Just before the show started Heather had a full-blown Migraine and had to cancel all her shows for the week. Heather has since gotten over her migraine and is back to normal.

Now, we rescheduled the show for Oct 12, 2016, starting at 9 PM Pacific, 11 PM CST. We have a huge list of things to discuss, and all of them are related to my SciFi series Harmonic Wars. Here are some of the talking points, links, and pictures that we will discuss. We will start out the show discussing several of the paranormal events that have surrounded me while writing and promoting Harmonic Wars.

Q: What made you pick the name “Harmonic Wars”?
A: The ancient society that I created for this series had advanced knowledge of sound technology. All things in the universe vibrate, because everything is in constant motion, at least at the subatomic level. With this in mind, they understood not only about those vibrations, but also about the importance of harmonic resonance. They learned how to
control harmony and dissonance at the subatomic levels like we understand magnetism today. The north pole of a magnet attracts the south pole of another, but two north poles will repel each other. This is the basis for the Anti-Grav Suits in Harmonic Wars. It allows the user complete control off all forms of matter at the subatomic level. I believe it’s possible that the ancients used this knowledge to build many of the great structures that still survive today. They manipulated matter to cut and shape the building materials and levitated the massive stones into place. We can see early examples of scientists doing this today with sound and ping pong balls or even drops of water. Changing the frequencies has an impact of the levitated object. Check out videos of “cymatic experiments” for a greater illustration.

Q: What are “Cymatic Experiments”?
A: Cymatics is the study of the impact of sound on all forms of matter. Hertz is the measurement used that accounts for the number of sound waves in a second. The human hearing range is between 20 to 20,000 Hz. Sounds below 20 Hz are called subsonic, and this about 20,000 Hz are called ultrasonic. Humans can't hear subsonic or ultrasonic sounds, but we can feel their effects.

If you searched the internet for examples of cymatic experiments, you would see videos like this:

https://www.youtube.com/watch?v=wvJAgrUBF4w#t=4.965532328

The video shows sound frequencies aimed at a thin sheet of metal with salt poured on top. As the pitch increases, the salt forms intricate patterns at specific frequencies. They become so elaborate at ultrasonic frequencies that the salt is too large to make the shapes. Now look at the picture of one of Michael Tellinger's cattle kraals (pens) and compare it to the cymatic experiments. You can see similarities to the cattle kraals and precise tunings in the cymatic experiments above. Imagine the forces at play on such a massive scale, and the power to create such formations.

Of interesting note, the stones used for the cattle kraals are called "bellstone" because they are of such high quartz content that they ring like a bell when struck. How does this relate? On a guitar, both the top and bottom strings are tuned to "E." If you strike the lower note, the upper note will resonate because it is in tune. The same thing applies at a harmonic level. Additional notes in a chord will ring out when singers are in perfect tune with each other. Although you see four people singing, you can hear five notes because of harmonic resonance. All things have a resonance or vibrate. All matter is in motion at the subatomic level. Therefore all matter has a unique frequency.

Q: How does A440 tuning fit in with all this? Do you think it has an impact on society?
A: Ray Hughes has an excellent explanation of sound in general on YouTube. The term A440 means that there are 440 waves per second, meaning that your ear drum will vibrate 440 times per second so that you can hear that particular sound. The higher the pitch, the greater the number of hertz or beats/waves per second. Check out the video for nothing more than the visual effect:

https://www.youtube.com/watch?v=7qV7c6KcYrc

See how light and sound aligns differently to different frequencies. It shows the reflection of light on the water that has different frequencies directed at the water. In our past, orchestras tuned their instruments to A432 Hz, but a movement was started by one country to push all countries into A440 Hz tuning. When you see the video mentioned above, it will show the difference of how A432 Hz makes a beautiful design reflected in the water, but when you raise the frequency to 440 Hz, the design loses all form and become chaotic. The sound is also much different. Songs tuned to A432 Hz have a more melodious and warm sound, whereas at A440 they become harsh, almost tense. The country pushing this thought it was paramount that all countries migrated to A440. A delegate was sent to persuade the British Institute of Standards who successfully got an agreement to start the migration in 1939. He was from Germany, and his name was Joseph Goebbels. Conspiracy theory has it that this ushered in the beginning of the New World Order, as A440 tuning is inherently out of sync with the “divine music of the universe.” It causes tension, while A432 Hz promotes harmony. I don’t like most conspiracy theories, but just the fact that the Nazi’s wanted to do this is enough for me to question the purpose of A440 tuning.

Here are the different frequencies when tuning a guitar. Note how the frequency for each string becomes a whole number:


The frequencies are now numerically aligned. Most people will not hear the difference unless they hear it side by side, but you will certainly feel the difference. To hear a comparison, can check out YouTube for Douglas Kinnear for an example.

https://www.youtube.com/watch?v=tTyzR8N4DwU


Q: How does the Great Pyramid fit in with any of this?
A: That is the question! The properties of the Great Pyramid include a great sound resonation capability. I believe Chris Dunn has theorized that the Grand Gallery once contained giant Helmholtz
Resonators. The best example of these are the effects created by blowing over the top of a bottle. If you fill same size bottles with water to different levels, you get different tones from each. Helmholtz resonators are brass balls of various sizes that accomplish the same effect.

The acoustics inside all the ancient pyramids are said to be amazing. There is evidence that the subterranean chambers of the Great Pyramid may have been impacted by a rhythmic thumping made from water pumped through the pyramid. Reconstruction of these passageways reveals that it could have functioned as a “ram pump” that continually pumped water without the needs of a mechanical device. This would have created enormous vibrations.

The air displaced through the vents and chambers could have blown across the Helmholtz resonators to create a type of sound energy that was channeled upwards through the massive granite blocks set above the King’s Chamber and through the missing capstone. Many believe the capstone to be a completion of the general pyramid shape. I think it likely could have resembled a Tesla coil, and would have been more of a sphere than a pyramid shape. Now, think of my previous example of guitar strings. What would have reverberated harmonically to the vibrations of the Great Pyramid when it was operating? Was it the perfectly tuned solid granite obelisks? Was it Michael Tellinger’s cattle kraals in South Africa? More importantly, why did it stop?


An interesting side fact on the cattle kraals, these stone walls were 8-12 feet tall and had no openings. How did the cattle get in or out? They are also filled with various levels of sediment from some great flooding event. Imagine that! ;-)

Q: Have you found any other places with specific resonance?
A: Yes, very much so. Our moon is in a rotationally locked orbit, where the same side always faces our planet. Scientists claim this is a natural occurrence, but think of the forces at play to ensure that the moon spins at exactly the needed speed in relation to its orbit around Earth. Now complicate that by making the orbit elliptical. But why do Scientists think this is naturally occurring? Because this has happened again in our solar system. The Galilean moons that orbit around Jupiter also are rotationally locked, but there’s more. Io, Europa, and Ganymede are also locked in a 4:2:1 orbit that is called a Laplace Resonance (is a three-body resonance with a 1:2:4 orbital period ratio, equivalent to a 4:2:1 ratio of orbits). For every four times Io orbits Jupiter, Europa orbits twice while Ganymede orbits once. Watching the orbits from high above the North pole, you can see that the moons align mostly at the 6, or 12 o’clock positions. Io is always in conjunction with Europa at the 12 o’clock position, while Europa is always in conjunction with Ganymede at the 6 o’clock position. There are minor conjunctions between Io and Ganymede close to the 4 and 8 o’clock positions, but not precisely. What are the odds of ALL of those alignments to include being rotationally locked into orbit so that the same face always faces Jupiter’s surface? This make me wonder what type of energies that this perpetual planetary motion would create on the surface of this gas giant? There should be more research on this to determine if this is significant, but for now, it is an oddity that I use in Harmonic Wars as the power generator for a massive space portal. It draws on the Unlimited natural energy created and driven by the perpetual motion impacting the surface of Jupiter. You can see a visual of this on Wikipedia at:

https://en.wikipedia.org/wiki/Orbital_resonance#Laplace_resonance

Q: What are your thoughts on all the recent conspiracy theories about Planet X or Nibiru?
A: I think Nibiru was likely a planet that once existed, but can now be found in the asteroid field between Jupiter and Mars. The idea of a 3200-year orbit is too much for me to accept at this time and with the amount of understanding that we have in our solar system. It would take a tremendous force to turn Nibiru back around at the 1600 year mark to begin it’s journey back to our sun. I didn’t say it was not possible, but I just don’t find it credible at this time. I do see the idea of it being a brown dwarf with a couple of planets orbiting around it as more feasible. The “Goldie Locks Zone” would have to be incredibly close, though.

But I have used this too in Harmonic Wars. The opening scene is a flashback over 10,000 years ago to a horrific battle in progress. The Warrior Guild attacked the colony on present day Earth, and they were driven back by the Science Guild and the remaining armed forces led by the main character Shihan Marcus Kahn. As the Warrior Guild forces are retreating, they destroy the settlement on the planet Mars, killing millions of people. Shihan Kahn and his forces strike back and crash one of the planetoid carriers called “Ark II” into Nibiru, completely destroying the entire planet. It was a desperation move, but it prevented the annihilation of the remaining forces on Earth. The tremendous explosion destroyed much of the atmosphere on Mars, killing the rest of the colonists there. Pieces of Nibiru created many of the rings that now surround Saturn. The remaining forces of the Warrior Guild evacuated to the Saturn moon of Titan.

I chose Titan because it has massive amounts of liquid methane and ethane could be used for energy. The presence of liquid methane would likely prohibit the use of our rocket type propulsions systems. I can see using a “Space-Loop” launching system that would use the natural rotation of Titan in conjunction with an electromagnetic propulsion system in a series of loops to take advantage of gravity as well. It would be similar to our rail gun or levitated high-speed train technology.

Q: Are there other references to what we perceive as “natural” in space or on Earth that seem out of place to you?
A: I would say that you could see some fantastic possibilities if we changed the Prime Meridian from Greenwich Great Britain to the location of the Great Pyramid at the 31st Longitude line. This aligns several places, most notably the Mississippi Delta, the Yangtze Delta and the Nile Delta. The interesting part is that pyramids can be found close to all these river valleys. Each delta dumps out into the ocean close to the 30 degrees north Latitude. If you change the 31st Longitude line to “0” the 89th Longitude become the 120th (Mississippi) and the 121st becomes the 90th (Yangtze). Makes me wonder what is natural and what is man-made! Now drop down from the Great Pyramid to the Equator, and Lake Victoria is now the "Belly Button" of the world at 0-0. I believe if we did more archeological digs there, we would soon discover that this was the cradle of civilization, and not modern day Iraq. Check out Will Hart for some great information on this.

Q: You have hidden many things in your book. What are some of this things?
A: Well, for one I put careful planning into the names of the characters. For the Guardians, I had to pick Hispanic/Mayan names that matched with the culture. The Mayan King Ukit Took at the beginning of Guardians is the actual name of the last known king of the Mayan culture, at least in my research. I couldn’t find much about any wives he may have had, so I made Ana the Queen since I was already committed to that name. However, I wanted the name to have more of a royalty feel to it, so I created the maiden name “Ana’ka Tua’agar.” By adding the surname “de Took,” it’s supposed to mean she now is married to the “Took” family. I only refer to Ana’s full name once at the beginning, then after Chapter 5 she dropped the formal name and adopted just Ana. For those who have problems with any other pronunciations, go check out the glossary at the back. I spent lots of time making sure to include a comprehensive glossary that is organized topically to make things easy to find.

Q: How were already committed to the name Ana?
A: Harmonic Wars is a series of books, and “Guardians of the Crystal Skulls” (GoCS)
is the second book in this series that I wrote. My first try at this storyline was “Children of the Guardians,” which will now be released as the second book in this series to keep things in chronological order. When I wrote “Children” I placed no limits on myself. In doing so, it greatly helped my creativity, but the book was huge. When we got to somewhere around page 1,000, my publisher Michelle Gamble at 3L Publishing said “Time Out!” She cautioned me on the tremendous hurdles I would have to overcome in marketing and selling a book that large. So the best thing I could do to introduce the storyline was to write a prequel. And so, GoCS was born. For the ancient races, I decided to pick names that aligned to ancient Greek mythology that included the Titans and many of the Greek gods. In Genesis there is a reference to the Nephilim, and that they were “men of renown” or legend. Since there are so many references in Greek, Roman and even the Norse gods that were very similar it seemed like a cool thing to do. So the leader of the evil Warrior Guild was Admiral Ares, modeled after Ares, the god of war. The ships that carried the Warrior Guild were named after the Titans. I named our planet “Typhon” which in Greek mythology was the child of “Gaia” or Earth. It seemed fitting since the series is set on the idea that this is not Biblical Earth, but a colony. I also made sure that all numbers referenced in the book were multiples of 3, 7 or 13.

Q: I get the Biblical reference to the numbers 3 and 7, but why 13? Isn’t that unlucky?
A: Actually, I found the number 13 repeated and maintained in the most critical of ways in the Bible. We all know there were 12 Apostles, but the number of the leading group was 13 when you included Jesus. After His crucifixion, Judas hung himself leaving 11 in the main group. The Apostles agreed to maintain the number that Jesus had set and they chose Mathias to replace Judas. Jesus brought Paul forward to become one of the greatest Apostles. It's vitally important that Paul’s letters make up the majority of the New Testament. As we discussed in our last interview, there were also originally 13 Zodiacs.

Q: What was your motivation for writing this book?
A: I was watching a documentary of the Great Pyramid of Giza, and I was blown away by the high level of engineering that was used in its creation. Then, as I began to research more about the Great Pyramid, I found that the narrative of traditional historians and archeologists quickly began to fall apart when looked at from a practicality aspect. The Great Pyramid is made from some 2.3 million stones weighing anywhere from 2-70 tons each, all cut with copper chisels. That’s like using a plastic knife on a redwood. Yes, you can probably do it, but human ingenuity will take over very shortly, and a better way will be found. Also, they claim that it took 100,000 people roughly 20 years to complete the structure. That means a stone had to be cut, transported and placed about every 2 minutes. Some of the larger granite blocks weigh 70 tons and were brought across the desert from the Aswan quarry some 500 miles away…manually. Wheels of that time were only designed for chariots and could not take the weight of even the smaller 2-ton blocks, so how did they move them? That’s an incredible amount of work to put a dead guy inside. At what point does human nature take over and say “That’s good enough for government work”?

The last and most important detail is that the Egyptians of the 4th dynasty built the Great Pyramid, and its perfection was never matched. In fact, many of the pyramids built by the 9th dynasty are falling apart, but not the Great Pyramid. Did they just forget how? That seems unlikely based on how human nature works. People learn how to do things, then improve on them, so that the later models are nearly always better than the previous one. That’s almost how it worked with the automobile industry, except for the cars of the 80’s.

Q: Is this where you got the idea for the Pyraportals?
A: Yes, but only when I looked at the work that Nikola Tesla did on the Wardenclyffe tower. Tesla routinely was able to illuminate light bulbs from miles away WITHOUT any wires by transmitting the electricity through the ground or the air. Our ancestors would not build a structure like the Great Pyramid to such exacting tolerances some of which were down to .001 of an inch just to bury a dead guy inside. But they might do it to recreate a machine or a once lost power source. Those who understand the advantage of an electrical society would work very hard to recreate it. So in this series, the pyramids were power plants that generated vast amounts of energy naturally from the earth. It could discharge that power through the sphere that was used as a capstone, for either a weapon or to power a worldwide wireless grid. In Harmonic Wars inside the “King’s Chamber” there was a crystal altar that served as a portal capability that was disrupted at the beginning of the war. The picture below is from the famed "Gates of Paradise" by sculptor Lorenzo Ghiberti, on the Baptistery of San Giovanni, depicting a different scene from the Bible. The
scene in this panel is Noah’s Ark, which confusingly enough is represented by a pyramid.

Note that Ghiberti was very detail oriented to make sure all animals and people were correctly represented and proportional. See the lion, the elephant and other animals surrounding the base of the pyramid beside the people. The details leave nothing to the imagination. Now look at the top left of the pyramid, and you can clearly see birds flying, but not all of those things coming out of the top of the pyramid are the same. Some are very clearly NOT birds. The upper right side shows a being in the clouds. Historians said that was God, but note the swirling connecting line from the cloud to the top of the pyramid. There is also a strange looking being laying at the feet of the people exiting the pyramid door.

In Genesis, God is very specific with the instructions to Noah about building the Ark. It mentions nothing about a solid structure shaped like a pyramid. Scientists have already studied these instructions and recreated a model that outperformed their expectations in tests. So what else could this be?

In my opinion, this is NOT the Ark, but is much more likely the Tower of Babel, as described in Genesis Chapter 11. What was it they had built that concerned an all powerful God so much that He had to intervene to stop them? Could this have been some type of ancient portal technology?

Q: How can a highly advanced society disappear from existence without any trace?
A: That’s the easy part, and could happen so very quickly even today. How many structures have we built in the last 50 years that would survive 200 years without a massive amount of maintenance? None. In fact, we have not built anything that would last for even 100 years, much less thousands of year. If there was one well placed electro-magnetic pulse weapon placed in the U.S. by a terrorist organization it could take down the entire power grid. It wouldn’t stay down permanently, but the chaos it would create would be devastating. It might take years to recover fully. Look at the recent riots in Baltimore, Oakland, and Ferguson. Look what happened in New Orleans during Hurricane Katrina. Imagine what would happen to an entire nation without electricity. Gas pumps stop, water pumps stop, so food and water become non-existent and there will be no help for the short term since the infrastructure and supply chain will no longer be operable. Most citizens only have enough food to last a week, if not a couple of days. But they do not have a stocked supply of water. As citizens become thirsty, things become desperate very quickly.

Now, go one step beyond that, and make the attack a coordinated “Al Qaeda” style attack on all continents. Or better yet, a super-massive solar flare could take out all the power grids worldwide. It has happened before and will happen again. As ordinary citizens struggle for survival, people will very soon forget about the luxuries we now take for granted. Those type of things would be talked about as a memory of the “good ole days” as grandparents tell their grandchildren fabulous tales about electricity, clean running water, indoor plumbing, and the all-knowing god Google.

Q: Certainly we would have remnants of that former society long after the governments fell?
A: Sadly, I don’t think so at all. How much do you know how to do, or do you just look up everything on the internet? Most people don’t have to remember how to do things because the information is so accessible. We don’t even print it up. We save it to the cloud along with all our pictures from our phones. Many bookstores have folded with the advent of the e-books. Newspapers and magazines are all heading virtually as most people don’t want hard copies anymore. Do you know how to make soap? When to plant certain crops for the different zones? Do you even know the planting zone where you live? Certainly, some know these things, but not everyone by far. How about cement? Can you reload ammunition for your gun, or make gunpowder? Can you make repairs to your car? Can you manufacture the parts you need? Even the simplest of things become impossible to make like paper. The more abilities we lose, the harder it will be for us to be able to maintain our existing structures, much less be able to access our histories.

There would be pockets of civilization that would continue, but eventually, they would retreat to the safety hidden fortresses so that they did not have to share their hoarded wealth with the commoners who had all but forgotten about the excesses of the past as they struggled for survival on a daily basis. I believe it would only take two generations to forget where we once were. We are but a couple of generations from WWII, and yet even now we’re having debates on whether or not the holocaust happened. It’s sad, but true.

Q: What about the theories of ancient aliens building the Great Pyramid and some of the other structures around the world?
A: I’m willing to consider it as a possibility, but only one of many since there are so many unanswered questions about our past. It is harder for me to accept ancient aliens than to accept the fact that our ancestors may very well have been more advanced than we are even today. Look at how far we have advanced from 1900-2000. We went from a horse and buggy society to landing a man on the moon and ships on other planets. In the last 50 years we went from a society that barely had color televisions, certainly not even a TV in each house, to handheld smartphones in nearly everyone’s hands with more raw computing power than the most advanced computers in the 50’s and 60’s, the size of which would fill a room and still not be nearly as powerful as we now carelessly throw around daily. But most historians and archeologists would have you believe that in the last 12,000 years humanity has never been this advanced before? I find that much harder to believe, considering the advancements of the last 50 years alone.

Have you ever played “Pass It On” in school? The teacher gets the entire class into a circle and tells a secret to the child beside her and instructs the students to whisper the secret to the person next to them, and so on. By the time the secret passes through 30 students a mere 10 minutes later, it is unrecognizable from the original words whispered. This was how our history was passed down for thousands of years. Imagine how much things would have changed over 4,500 years much less 12,000 or more.

Q: Why Crystal Skulls?
A: In Harmonic Wars, I used crystal artifacts as an underlying theme throughout the series. The Legend of the 13 Crystal Skulls fit perfectly. There are several crystal skulls that are currently in existence who's quality is considered good enough to be one of these fabled skulls. One is in the Smithsonian, in spite of the fact that this legend has largely been debunked. But since Harmonic Wars is Science Fiction, I had no problem including it. The properties of quartz are undeniable, as they are used in a broad array of electronics today. Could this have been the case in the past? What are the properties? It has a consistent frequency and is used in timepieces. Quartz has incredible data saving features as scientists have developed disks the size of a half dollar that can hold over 300 terabytes of data at normal living conditions without degradation, literally forever. Stones with a high quartz content like granite can also chime when struck.

Pyramids, along with many of the ancient structures around the world, used large stones of high quartz content. I doubt that they were used for their data saving properties, or as time pieces. But what about sound? I envision that the pyramids themselves were never burial chambers for the Egyptian Pharaoh who was considered their god. The Egyptians would have never buried their god in a tomb that had no religious writings whatsoever.

We know that the construction of the pyramids in Giza used a different type of limestone for the casing. It was a highly polished limestone that some have said had almost no quartz at all. Could it have acted as an insulator? The sarcophagus they found for King Tutankhamen consisted of no less than nine beautifully decorated boxes. And yet the sarcophagus inside the King's Chamber of the Great Pyramid is a solid piece of hollowed out granite that is rough-hewn on the outside. Stark contrast to King Tut's burial chamber.

I believe that form follows function. Chris Dunn and other engineers have studied the general construction of the pyramid and determined that it's feasible to assume that it could be a generator of some type. Sound, water, and resonating chambers are used in conjunction to create a wireless energy source. These are many of the same concepts that Tesla used to persuade investors to build the Wardenclyffe Tower that was never completed.

Q: How many books will be in this series?
A: I have four books planned, which I hope to release one every year. I have ideas for at least two more trilogies after I complete these four.

Q: How is this a multidimensional war?
A: I spent lots of time thinking this out, in true SciFi fashion. I envisioned that there were thousands of dimensions with infinite possibilities. That allowed me to bring the war between good and evil to multiple dimensions, making us all pawns in a much larger ongoing battle.

In this figure, you can clearly see that some of the dimensions belong wholly to the “Realm of Light” or to the “Realm of the Dark.” Likewise, there are
many dimensions that are not entirely decided for the Light or the Dark, but they’re leaning in one direction or another. The contested dimensions are balanced and struggling to go to the Light or to the Dark. These contested dimensions are where the battles between the Light and the Dark are the fiercest. We live in the “Isle of Man” which happens to be one of several thousand dimensions that are contested, but we’re beginning to lean to the Dark.

Q: What happens to a dimension that goes to the Dark?
A: The Creator takes those who still stand for the Light, then He lets the rest fall. This is a race to see who collects more souls. Currently, the Light has more souls. The Isle of Man has a huge number of souls, and the Dark wants control of this dimension desperately. If the Dark gains control then he will be close to tipping the scales in his favor, then all will fall under the control of the Dark. Evil will rule, or so they think.

Q: What about this “Land of Dreams?"
A: Again, another flight of fantasy. I had 13 characters who were Guardians of the Crystal Skulls, so I had to make them awesome. I thought the ability to be a Dream Walker would be cool. I placed the Land of Dreams as a realm of its own that permeated all of the dimensions and could be accessed by anyone. When people have nightmares about monsters, maybe they were interacting with beings from another dimension? It seemed like a cool added layer. Then I made it so that Dream Walkers could access it at will, and I gave it two sides. Dream Walkers could use it to manipulate the active dreams of people sleeping and to gain information and push people to do things through the power of suggestion. But they could also walk in a dreamy haze that is more or less parallel to the waking world, but invisible to them. In theory, a Dream Walker could be standing beside you in the Land of Dreams spying on you. I think that’s cool!

Q: What are Anti-Grav Suits?
A: What if you had absolute control of all matter at a subatomic level out to about a 50-yard circumference? You could feasibly burst things into flame or freeze them by speeding up or slowing the movement of the electrons. At least in my story you can! The Anti-Grav Suits are designed specifically for descendants of the Balsarius to keep them from the hands of the sworn enemy, the G`Alad. In theory, a person wearing an Anti-Grav Suit could also make new forms of matter, or change items from a solid, to a liquid or even to gas and back again. Remember that the humans in this ancient society also had mastery of frequency and harmonic resonance. So they could also use the Anti-Grav Suit to levitate objects, including themselves. All of the Guardians wear Anti-Grav Suits, as does the Elder of the Warrior Guild for the peaceful Balsarius, the Shihan Marcus Kahn.

Q: How is the empathic nature of the Guardians significant?
A: They cannot only sense emotions in others, but they can project emotions into other people. Can you imagine how devastating it would be to push emotions out to overwhelm your opponent? Sending wave after wave of gripping fear into them just as they begin an attack? Or doubt? Confusion? All of these things could help to falter a charge on the battlefield. Additionally, the Guardians can project nothingness so complete that it would leave their enemy standing there senseless like a drooling idiot. When you add this to their abilities with the Anti-Grav Suits, they become formidable soldiers.

Q: Is this a religious book?
A: No, it is a SciFi book. Neither will it be part of your reference library from a science standpoint…it’s a SciFi book, but there are facts associated throughout. Just as the good characters in this book do and say good things, the evil characters do and say evil, even shocking things. It is designed to make a person think about the possibilities.

Q: The story is about absolute good vs. absolute evil for control of the universe. What role models did you use for good and evil?
A: I could not find better role models than angels and demons. And the angels I describe are awesome warriors as I envision God intended. Remember that the angels are God’s army. Likewise, the demons are wicked looking.


Tags: Tesla, Space, SciFi, science fiction, Ancient Aliens, archeology, pyramids, books, harmonics, resonance, Mayan, Hopi, Inca, Stonehenge, Gobekli Tepe, ancient technologies.